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美术 绘画 艺术
王世龙个展《线索的隐喻》
主办：  墨非墨画廊
收费：免费
日期： 2023/9/9--2023/10/9
地点：市南区燕儿岛路凯悦中心B座55层
报名购票：>>报名购票链接

王世龙个展：线索的隐喻

Solo exhibition of Wang Shilong: The Metaphor of Lines

展览时间|Duration：2023.9.9 — 10.9

开幕时间|Opening：2023.9.9 14:00

展览地点|Venue：墨非墨画廊|MOFEIMO GALLERY

地址|Address：山东省青岛市市南区燕儿岛路凯悦中心B座55层|55F, Building B, Hyatt Center, Yanerdao Road, Shinan district, Qingdao, Shandong province, China

墨非墨画廊荣幸地宣布代理艺术家王世龙，将于2023年9月9日呈现艺术家王世龙个展《线索的隐喻》，展出王世龙最新创作的近40幅绘画作品。

MOFEIMO GALLERY will present artist Wang Shilong's new solo exhibition "The metaphor of Lines" on September 9, 2023, featuring nearly 40 of Wang Shilong's latest paintings.

王世龙《线系列20230709》|Wang Shilong <Line series20230709>

布面丙烯|Acrylic on cloth

70 x 120 cm，2023

王世龙的艺术创作历程是其精神世界不断重新建构的过程。自2006年肇始的某次剧烈思想嬗变，导致其艺术表达形式转变的结果就是这样一个过程。
因具象造型艺术创作中笔触与意识脱节所带来的分裂感，使其断然“跳跃”到创作行为与意识统一的抽象类型创作中，其媒介是作为基础笔触的——线条。
Wang Shilong's artistic creation process is the process of the continuous reconstruction of his spiritual world. This process is the result of a drastic ideological transformation that began in 2006 and led to the transformation of its artistic expression form.

Due to the sense of division brought by the disconnection between brush strokes and consciousness in the concrete plastic art creation, it completely "jumps" to the abstract type creation with the unity of creative behavior and consciousness, and its medium is the —— line as the basic brush strokes.

王世龙《线系列20230414》|Wang Shilong <Line series20230414>

布面丙烯|Acrylic on cloth

70 x 120 cm，2023


王世龙《线系列20220610》|Wang Shilong <Line series20220610>

布面丙烯|Acrylic on cloth

70 x 120 cm，2022

人类文明延续的重要证据——文字；自然万物身上显现的不可名状天然纹饰；乃至上帝视角里河流山川等等的自然形态，均为线条的集合显现，这种自然形态与王世龙作品有着似是而非的契合频率，由线入境的创作过程则是一次动态的空间表述行为，作品遂生发了“静故了群动，空故纳万境”的隐喻意味。

由线条勾勒所最终营造的作品境界显然不能简单的以冷抽象类型来归纳。幻境、幻象等等视觉感受是基于二维平面中三维影像投射所带来的空间层次表象的跃出，这种跃出有着线索追踪的独特脉络。艺术家构思与成稿之间存在着微妙的自然律动变化，这种变化在“视”、“盲”、“思”的递进中形成舒展的视觉线索，最终使画面弥漫空灵、隽永、飘忽的神秘气息，绝非偶然。艺术家的创作是主体意识与客体世界的碰撞结果，构成走向并存在着“自我主张”与“天与神赋”的不确定性，其间隐含着时间、空间、因果性的动线，当作品以冷静沉默的方式面世时，画面中裹挟的隐喻信息与表象抽离，造就了每一位观者心目中的独有的观照境界。

Important evidence of the continuation of human civilization —— text; the indescribable natural patterns of the natural things, and even the rivers and mountains in the perspective of God, the natural form is the collection of lines. This natural form has a similar frequency of matching with Wang Shilong's works, the entry process by line is a dynamic spatial expression behavior, and the work produces the metaphor of "Vacuity is therefore able to understand the changes of all things, and emptiness is therefore able to accept the realm of everything."

The state of the work created by lines cannot be simply summarized by cold abstract type. Visual feelings, such as fantasy and illusion, are based on the leap of the spatial level representation brought by the projection of three-dimensional images in the two-dimensional plane, which has the unique context of clue tracking. There is a subtle natural rhythm change between the artist's conception and the draft, which forms a visual clues in the progression of "vision", "blindness" and "thinking", and finally fills the picture with ethereal, meaningful and drifting mysterious atmosphere. Artist's creation is the subject consciousness and object world, collision and there is a "self-assertion" and "heaven and god " uncertainty, which implied time, space, causal line, when the work in the form of calm silence, the picture of metaphor information and representation, created every viewer mind unique view.

王世龙《线系列20200826》|Wang Shilong <Line series20200826>

布面丙烯|Acrylic on cloth

120 x 70 cm，2020

先哲认为所见世界是个人的表象，而现实的本质则无法被我们直接感知。在王世龙的作品中，线条要素既是表象过程，又是对于最终期冀抵达的艺术本质的一种探索。艺术家尝试通过随缘而变的线阵，抑或关闭画面中的负空间，甚至双手同步勾勒等方式，试图寻找出超越物质表象，脱离物象属性的精神法门。在更大的信息沉淀里，使观者体验无尽之自由态。

The sage believed that the world he saw is the appearance of the individual, while the essence of reality cannot be directly perceived by us. In Wang Shilong's works, the line elements are not only the process of representation, but also an exploration of the artistic essence of the final destination. The artist tries to find a spiritual method that transcends the material appearance and deviates from the image attribute by changing the line array with the fate, or closing the negative space in the picture, or even drawing the outline with both hands. In the greater information precipitation, make the viewer experience the endless freedom.

王世龙《线系列20230511》|Wang Shilong <Line series20230511>

布面丙烯|Acrylic on cloth

120 x 70 cm，2023

王世龙《线系列20230501》|Wang Shilong <Line series20230501>

布面丙烯|Acrylic on cloth

120 x 70 cm，2023

本次王世龙个展作品均为这一变化、完善时期的代表作。线形游动是艺术家主观意识对创作中画线这一动作的强调，但这绝非只是创作形式的应用实验，以单调的笔触与复杂的构成抵达意识之境，这种创作方式的本身对艺术家的自我认知与思辨能力提出了更高的要求。

作为艺术家的王世龙的知识求索边界没有局限于纯艺术理论研究探索，丰富的宗教、历史、地理、文学、哲学等知识的汲取为他的创作思想提供了宽广的储备，为他线索探究之路提供了更多元多维的可能性。

This solo exhibition of Wang Shilong's works are all the representative works of this period of change and perfection. Line ambulant is the emphasis of the artist's subjective consciousness on the action of line drawing in the creation, but it is not just an application experiment of the creation form. It reaches the realm of consciousness with monotonous brush strokes and complex composition. This creation mode itself puts forward higher requirements for the artist's self-cognition and critical thinking ability.

As an artist, Wang Shilong's knowledge search boundary is not limited to the research and exploration of pure art theory. The rich knowledge of religion, history, geography, literature and philosophy provides a broad reserve for his creative thoughts, and provides more multi-dimensional possibilities for his clue exploration.

王世龙《线系列20230501》|Wang Shilong <Line series20230501>

布面丙烯|Acrylic on cloth

120 x 70 cm，2023

王世龙《线系列20210511》|Wang Shilong <Line series20210511>

布面丙烯|Acrylic on cloth

50 x 100 cm，2021

作为当代艺术表述的一种，王世龙的作品有着其执拗深邃的独特精神气质，去媚冷峻的思想态度，独立思考能力与去除执念的否定之否定也是一名独立艺术家艺术创作之路最好的旅伴，由表及里，以线求索，彼岸在前。

As an expression of contemporary art, Wang Shilong's works have its stubborn and profound unique spiritual temperament, the cool attitude, independent thinking ability and the negation of the negation are also the best companion of an independent artist's artistic creation, from the outside to the inside, Search by line, the shore is in the front.



关于艺术家
About Artist


王世龙，男，1974年生于四川成都。


学习经历

2002.9---2005.7 四川美术学院油画系硕士研究生；

2004． 留学德国Kassel艺术学院，自由艺术系。

2005.9至今，任教于青岛大学美术学院 中国美术家协会会员

2006---2009中央美术学院国画系综合材料工作室进修。


研究方向：综合绘画，抽象艺术


主要学术活动

2023 

“国家艺术基金2022年度传播交流推广资助项目—综合材料绘画作品展”（天津滨海美术馆，合肥久留米美术馆，太原摩诘美术馆，深圳大芬美术馆，浙江宁波美术馆，中央美术学院美术馆）

逛街里.寻根—“百年里院人文艺术展”（青岛 骏业里）

《艺刻时光》首届青岛春季艺术沙龙展（青岛 墨非墨画廊）

五月的风系列之第五届正青春—青岛市青年美术作品展（青岛出版艺术馆）

青岛首届综合材料绘画展（青岛画院）


2022

中欧国际青年艺术家交流展（青岛出版艺术馆）

2022艺术上海国际博览会（上海第一百货商店-C馆）
第三届山东省综合材料绘画作品展（青岛宝龙美术馆）

国家艺术基金2022年度传播交流推广资助项目 “综合材料绘画十年优秀作品展”（中央美术学院美术馆）

无定义世界—青年艺术家群展（柒叁画廊）

青岛国际青年艺术家邀请展（北服时尚产业园）

观次青绿•山东美术馆馆藏生态文明主题绘画作品展（山东美术馆）


2021

“线象与律动”王世龙个展（青岛偶然美术馆）

第六届中国青年版画展（中国版画博物馆）

青岛国际青年艺术家邀请展(青岛纺织谷1902当代艺术馆）

“线性展”（北京798艺术区朗空美术馆；鲁迅美术学院实验艺术系；沈阳红梅文创园；四川515洞窟美术馆；上海竞衡艺术空间）

“百年正青春”建党一百周年艺术展（青岛纺织谷1902当代艺术馆）

“六分之一·青岛当代艺术联展”（青岛偶然美术馆）

庆祝中国共产党成立100周年“凝聚青春力量，共建青春之岛”青岛市青年美术摄影展（青岛市图书馆）

高端论坛“艺术在青岛——青岛艺术生态沙龙”（德昌阿特现代艺术空间）

“彩蕴万象”2021中国（青岛）国际水彩与油画写生联展（太平湾现代艺术馆）


2020

17届亚非地中海国际当代艺术展（青岛展)

暨2020（青岛）年度艺术文献展（青岛纺织谷1902当代艺术馆）

第三届青岛国际当代艺术展（青岛纺织谷1902当代艺术馆）

“寻欢作艺”当代艺术展（青岛当代艺术空间，青岛偶然美术馆，鲁艺斋19窗当代艺术空 间)

“爆料”2020纸上 至上展（青岛天泰艺术中心）


2019
青岛百年美术大展（青岛市美术馆）

2019年纸上·至上—长风ART计划（青岛天泰艺术中心）
青岛青年美术家作品展（青岛画院美术馆）

第二届青岛当代艺术展（青岛纺织谷1902当代艺术馆）

中国抽象艺术（济南）大展（山东西城时光艺术之城）


2018
U Gallery 展览 | “时光碎片——八人联展”

五月的风”系列之 正青春一一荣宝斋山东省青年美术家邀请展

青春•担当 ——2018山东青年美术力量系列展（天津站，天津美术馆)

“能量——改革开放40年山东美术发展成果展”（中国美术馆）

“观念与呈现——2018·油画语言拓展提名展”(山东美术馆)


2017
"十年″中国抽象艺术展(北京偏锋新艺术空间)
“五月的风”系列之 正青春一一荣宝斋青年美术家邀请展

2016 

798艺术节"艺象X交融"With Caffa 正青春.首届青岛青年美术作品展(青岛市美术馆)

“诗性的抽象绘画”中国抽象艺术第9回展（北京偏锋新艺术空间）

YOUNG MEMORIES年轻的记忆（法国巴黎LA GALERIE EPISODIQUE）

“学术一百”山东青年美术作品全国巡展（济南美术馆，江苏南京同曦艺术馆，浙江美术馆）

“逻辑与态度”青岛大学教师佳作展（青岛嘉木美术馆）


2015
“内向”中国抽象艺术第8回展（北京偏锋新艺术空间）

青年艺术100（北京农业展览馆）

首届中国综合材料双年展（宁波美术馆）

首届山东综合材料展（济南美术馆）

第10届山东文化艺术节全省优秀美术作品展（山东省美术馆）

第二届山东青年美术大展（山东省美术馆）

“大美”青岛大学教师佳作展（青岛嘉木美术馆）

“COMMUNICATION AND HARMONY”2015EURASIA INTERNATIONAL ART FESTIVAL（韩国首尔）

中韩交流展（韩国清道）

“在现场”188艺术仓库重点推荐优秀作品展（青岛市半岛艺术中心）

WITH CAFÉ新锐艺术家作品系列展之新春首展“王世龙综合技法雕版木刻作品展”（798 WITH CAFÉ）


2014 
第12届全国美展综合材料展（河北美术馆）

《触》中韩交流展（韩国青州市立美术馆）

艺起。（北京，上海）

“古早续梦”首届青岛当代艺术展（青岛古早文化城）


2013
艺起。（北京，上海，成都）

全国“第十届中国艺术节”（山东济南现代美术馆）

山东“第十届中国艺术节”（山东济南现代美术馆）


2012
中国综合绘画日本巡展（东京后乐美术馆 等）


2011
全国第4届青年美展（中国美术馆）

“回望中国—辛亥革命100周年展”（中国美术馆 文化部恭王府）

中国综合绘画10年回顾展（广州美院）


2010 
“领跑---当代水墨邀请展”（关山月美术馆；岭南美术馆）

“持续的距离--第三次抽象画展” (北京偏锋新艺术空间)

“风生水起”当代艺术展  （青岛1919创意产业园）


2009 
“解决70后”绘画、装置展 （青岛美术馆）

“回溯与探索”《美术文献》收藏展 (湖北省美术馆)

“以心接物---中央美院研究生系列展”（中国国家画院）


2008 
“宁静的诉求”抽象绘画展（北京一月当代画廊）

“艺术北京”画廊博览会展; （北京农展馆）

“走向后抽象”艺术邀请展;(北京偏锋新艺术空间)


2007
2007年度青涩计划大学生提名展;（北京今日美术馆）

个展《线系列》 （ 798 Southern Art 艺术场地 ）

“艺术中国”全国油画展，（清华美院展览馆，中央美院展览馆）。

论文《中国油画中的西方痕迹及其反思》荣获《美术研究》“当代艺术与批评论文评选”优秀奖


2006 
青岛-重庆交流展；（青岛美术馆）


2004
四川美术学院1999---2004创作成果展（重庆美术馆   四川美院）；

第三届重庆市美术作品展（十届美展重庆展区重庆文化局 重庆文学艺术界联合会） ；

德国Kassel艺术学院RUNDGNAG年展；

作品《暴雨抽打重庆》 获四川美术学院2004年度研究生奖。


2003
重庆市首届油画展暨第三届中国油画展重庆作品展 （ 重庆市文化局 重庆美术家协会）；

《同饮一江水----上海 重庆水彩画联展》（中国水彩画家协会 上海黄埔区文化局）；

四川美术学院“中国元素”学术活动年“方向”油画艺术展（四川美术学院）；


获奖：
2004 作品《暴雨抽打重庆》 获四川美术学院2004年度研究生奖

2007 论文《中国油画中的西方痕迹及其反思》荣获《美术研究》“当代艺术与批评论文评选”优秀奖

2011“回望中国—辛亥革命100周年展”（中国美术馆 文化部恭王府）全国优秀奖

2018  青春·担当—2018山东青年美术力量优秀奖


作品收藏:
关山月美术馆，偏锋艺术中心，一月当代画廊，荣宝斋，艺术家冷军、冯斌等私人，山东省美术馆，恭王府，朗空美术馆


About Artist

WANG Shilong
Chinese, b. 1974 Chengdu, lives and works in Qingdao and Beijing.
Wang Shilong started to draw lines in 2007 and has continued to do so since. When drawing lines initially he pays attention to the rhythm of each line, until the lines becoming gradually intensified and a dynamic structure begins to form. Each additional line will affect the power flowing in the whole system adding an extraordinary intensity.

In his works on paper, the pressure sensitive silver point pen he uses demands technical skill and a certain controlling force; while his canvas paintings demand greater sensitive be paid to the tactility of the surface. Nevertheless each line “should be full of force like pulling the bow slowly, with power but not releasing the arrow”. The German-born author and theorist Rudolf Arnheim’s writings on visual perception form the foundation of Wang Shilong’s exploration of painting. Wang Shilong’s introspection, and self-analysis of his extensive practice is affected by Buddhist philosophies — he considers the abstraction in his work through conceptions such as grahana (to apprehend/grasp/conceive/conceptualize) and grâhya (the apprehended/ grasped/perception (of objects).
Wang Shilong studied in Kunsthochschule Kassel in 2004. He completed his Masters in the Oil Painting Department of Sichuan Fine Arts Institute in 2005 and currently teaches at College of Fine Arts, Qingdao University. His works are held by the Guanshanyue Art Museum and by private collectors.

Solo Exhibitions

2007 Line Series – 798 Southern Art, Beijing


Group Exhibitions

2017 

Tale of Two Cities: Dialogue of Contemporary Art Between Jinan & Qingdao, Qingdao Art Museum of Jimo Ancient City, Qingdao

The 2nd China Comprehensive Materials Painting Biennale, Ningbo Museum of Art, Ningbo

Decade: Abastract Art 10, PIFO Gallery, Beijing

May Wind – Youth: Rong Bao Zhai (Qingdao) Young Artists Exhibition, Goldstone Museum, Qingdao

The 1st Shangdong Province Young Artists Nomination Exhibition of Comprehensive Paintings, The News Art Gallery of Shandong, Jinan

Beautiful Qilu: Art Works of Shandong Young Artists Exhibition in Beijing, The Cutural Palace of Nationalities, Beijing

West on the Left, East on the Right: 4th Sino-American Outstanding Art Works Salon Exhibition, Times International Square, Qingdao

Group Exhibition of College of Fine Arts in Qingdao,

Rong Bao Zhai (Qingdao), Qingdao


2016

Poétique – The 9th Annual Exhibition of Abstract Art, PIFO Gallery, Beijing

Drawing the Beginning, La Galerie Épisodique, Paris


2015

Inward – The Eighth Exhibition of Chinese Abstract Art, PIFO Gallery, Beijing


2014

The 12th National Art Exhibition of Comprehensive Material，Heibei Art Museum, Shijiazhuang

Touch – International Invitation Exhibition, Cheongju Museum of Arts


2013

SURGE Art, Beijing/Shanghai/Chengdu

The 10th National China Art Festival, Jinan Modern Art Museum, Jinan

The 10th China Art Festival in Shandong, Jinan Modern Art Museum, Jinan


2012

Chinese Comprehensive Painting Exhibition Tour in Japan, Tokyo


2011

The 4th National Youth Fine Arts Exhibition, National Art Museum Of China, Beijing

Retrospect – 100 Years of the Revolution of 1911 Exhibition, National Art Museum of China, Beijing

10 Years of Chinese Comprehensive Painting Retrospective, The Guangzhou Academy of Fine Arts, Guangzhou


2010

Forerunning – Invitational Exhibition of Chinese Contemporary Ink Painting, Guan Shanyue Art Museum/Lingnan Art Museum,Shenzhen/Dongguan

Unending Distance – The 3rd Exhibition of Abstract Art, PIFO Gallery, Beijing

Spring Up – Contemporary Art Exhibition, Qingdao 1919 Creative Industry Park, Qingdao


2009

Overcome 70s – Painting, Installation Exhibition, Qingdao Art Museum, Qingdao

Retrospect and Exploration – A Selected Collection from Fine Arts Literature Art Center, Hubei Museum of Art, Wuhan

Heart – China Central Academy of Fine Arts Postgraduate Series Exhibition, China National Academy of Painting, Beijing


2008

Silent Appeal – Abstract Painting Exhibition, One Moon Art, Beijing

Towards the Post-abstract, PIFO Gallery, Beijing


2007

The 2007 Green Hope Project-Undergraduate Nomination Exhibition, Today Art Museum, Beijing

Art China National Oil Painting Exhibition, Academy of Arts & Design,Tsinghua University/CAFA, Beijing


2006

Qingdao – Chongqing Exhibition, Qingdao Art Museum, Qingdao


2004

Sichuan Fine Arts Institute 1999-2004 Achievement Exhibition, Chongqing Art Museum/Sichuan Fine Arts Institute, Chongqing

The 3rd Fine Art Exhibition of Chongqing, Chongqing Culture Bureau, Chongqing

RUNDGNAG Annual Exhibition, Kunsthoschule Kassel


2003

The 3rd Chinese Oil Painting Exhibition in Chongqing, Chongqing Culture Bureau, Chongqing

Nourished by the same river – Shanghai – Chongqing Watercolor Group Exhibition, Shanghai, Huangpu Culture Bureau, Shanghai

Direction – Oil Painting Exhibition, Sichuan Fine Arts Institute, Chongqing



· END ·



墨非墨画廊(MOFEIMO GALLERY)成立于2013年，以当代艺术为出发点，秉承专注，专心，专业的理念，进行当代艺术的推广及运营。画廊在代理合作知名艺术家的同时积极推动青年艺术家，通过宽领域、多样式的推广及交流，试图以新形式构建艺术生态互通交流平台，以促进中国当代艺术良性发展。


MOFEIMO GALLERY, established in 2013, is a gallery devoted in Contemporary Art. MOFEIMO adheres to the practices of dedication, concentration, and professionalism in promoting the ideology of Contemporary Art. The gallery is committed in actively promoting young artists while cooperating with well-known artists. Through various promotions and communication, the gallery intends to construct a new form of art ecology intercommunication platform to contribute in a positive development of Contemporary Art in China.


Open time / 开放时间

Tuesday - Sunday  10 am - 6 pm

Only appointments are accepted on Monday.

周二 - 周日 早十点-晚六点

周一仅接受预约拜访



Tel：13241827580

Email：mfmart@163.com

地址： 山东省青岛市市南区燕儿岛路凯悦中心B座55楼

Address：55F, Building B, Hyatt Center, Yanerdao Road, Shinan District, Qingdao City, Shandong Province



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